Sunday, November 20, 2011

In Seattle with Elvis

Elvis (aka Carlos Colon) with one of his admirers
One of the highlights of this summer was attending the Haiku North America conference in Seattle from August 3-7. The Organizing Committee: Michael Dylan Welch, Tanya McDonald, Dejah Leger, and Angela Terry along with a long list of volunteers put on a memorable weekend. Haiku North America provides not only an opportunity to talk about haiku and related forms, but to reunite with old friends and learn about their new projects through readings, presentations, and panel discussions. Previous conferences have been held in Boston, San Francisco, Toronto, New York, Chicago. Portland, Ottawa, Port Townsend, and Winston-Salem. I've attended nearly all of them.

This year's theme was "Fifty Years of Haiku." To commemorate this gathering, I chaired a panel entitled "Who Wrote That? How My Haiku Has Changed Over Three Decades," inviting three haiku luminaries and longtime friends to be panelists: Jerry Ball, Garry Gay, and Penny Harter.

Michael Welch (Introducer), Maggie Chula, Garry Gay, Penny Harter, Jerry Ball
Our stories of following the haiku path were both hilarious and poignant. We began our discussion on a light note by reading our first haiku, thus demonstrating how far we've come! Over thirty years, our haiku have been influenced by place, life changes, losses, and aging. One of my stories relating to place was about returning to the U.S. after twelve years in Japan and feeling that I would no longer be able to write haiku. My reaction during a calamity proved me wrong.

sitting outside
watching my house burn—
mosquito bites my leg

There I was, watching my house burn and writing a haiku—not a great haiku, or even a decent senryu—but it reassured me that I would continue writing haiku.

Some of the high points of Haiku North America for me were Wanda Cook's "Some Like It Hot: Erotic Haiku" workshop; a haibun reading by Cor van den Heuvel; the Memorial Reading for haiku poets who have passed away; and "Between a Word and a Brush Stroke," a haiga talk by Lidia Rozmus. Lidia is a talented artist and poet and her haiga have been exhibited all over the world.

Maggie and Lidia Rozmus in front of her exhibition

The grand finale of the conference was an expected appearance of Elvis during the banquet held at a  restaurant on top of the Space Needle. What an appropriate place for Elvis—on top of the world. That old hound dog, Carlos Colon, had us howling with laughter as he gyrated to the beat of his Elvis senryu. His fans lined up for photos afterwards. Here are a few by Elvis:

not myself tonight
my belt missing
a rhinestone


home in Tupelo
feeding the birds
my golden voice


Labor Day
a spot of barbecue sauce
on my white jumpsuit


you feel them even 
if Ed Sullivan won't let you— 
swivel of hips


not as long
but the girls still like it
army haircut



bachelorette party
an Elvis cut-out draped
with lingerie


1 comment:

  1. A wonderful summary of some of HNA's many highlights, Maggie. The panel you chaired was one of the standout events of the conference for me personally -- exactly the sort of informative, entertaining, and stimulating panel discussion I had hoped for. Thanks again!

    You didn't mention that you yourself organized the 1997 HNA conference in Portland -- one of many in a long string of wonderful events.

    So you expected Haiku Elvis, did you? He wasn't on the program, and was supposed to be a surprise, which I think he was for most people. You must have scored some inside information from somewhere! :-)

    Michael

    ReplyDelete